
ARTICLE BY OSCAR RANGEL
PHOTOS BY CHRIS ALVAREZ
NOV. 2 | SILVER LAKE—Just when you thought Monday was just like any other day, there’s buzz in the air about something big. Scenestar favorite Happy Hollows just returned to Los Angeles to start their November residency at Spaceland, and while updating the concert calendar for this addition, I noticed there was a subtle slot for a special guest. Usually it’s reserved for other local bands whom the residency band may be friends with. But the world of Twitter was hinting otherwise.
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ARTICLE BY CARLY DEVERY
PHOTOS BY DESMOND HSU
OCT. 11 | LOS ANGELES—“Epic” would be the only way to describe the show Seattle rockers Sunny Day Real Estate performed tonight at the Music Box at the Fonda. With rumors of a reunion tour being posted earlier this year, it was confirmed in June that indeed Sunny Day Real Estate would be touring with the original lineup. And it was especially exciting that the band would be stopping in California, having not toured here very much. Nine years after disbanding and 15 years after Diary was released, the sold-out venue tonight was packed with undeniable energy.
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ARTICLE BY SOPHIA PORTIER
OCT. 16 | ECHO PARK—Tonight at the Echoplex was a night full of the forlorn and frantic fire that is Brooklyn’s finest reverb-masters, A Place to Bury Strangers. Two words could sufficiently sum up the complexity of APTBS and its unique brand of indie-shoegaze pop-rock: beautiful noise.
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PHOTO BY CHRIS MOLINA
One might find it quite difficult to conjure up the words that best describe a Fever Ray concert. It might fall somewhere under Norse mythology crossed over with a suggestive tone from the film The Fifth Element—sandwiched together in a pagan ritual with scattered vintage lamps. Either way, Fever Ray performed one of the most memorable concerts to have passed through L.A. this year. A very amusing following decked out in costumes and face paint scattered throughout the sold-out Fonda to pay respects to pseudo high-priestess Karin Dreijer Andersson.
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ARTICLE BY JOELLE WAGNER
PHOTO FROM AIMEEMANN.COM
OCT. 8 | SANTA BARBARA—Aimee Mann revealed tonight that in preparation for this tour, she listened to all of her old records and selected the tracks that she “actually liked.” Luckily there were a few! Aimee and her two band mates, Jamie Edwards and Jebin Bruni, graced the UC Santa Barbara campus at Campbell Hall in an evening of music from all corners of her career map. The first half of the concert consisted of her selected songs, and for the second half, she asked audience members to write down on a piece of paper anything they would like to hear.
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ARTICLE BY JON BUCHANAN
SEPT. 18 | WEST HOLLYWOOD—As if by design, the populace of the ordinarily bustling Santa Monica Blvd. abruptly abandoned the corridor, creating a dire need for the sort of familiar warmth radiated by Everest, one of the city’s most beloved comfort bands. The comatose scene outside the Troubadour didn’t deter the band’s local followers, who were treated to the musical equivalent of a big, fluffy blanket. Tonight Everest performed a set dominated by tracks from 2008’s Ghost Notes. And I must say that the physical release of Ghost Notes on 180 gram vinyl is a truly beautiful thing, and even the pine cone eclipse cover art continues Everest’s theme of inexplicable familiarity.
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ARTICLE AND PHOTOS BY JOELLE WAGNER
SEPT. 17 | LOS ANGELES—Despite the fact that French rock group Phoenix has been around for more than 10 years and at this point are pros at what they do, there is still a glint of childlike excitement in their eyes as they look out at the large Greek audience—proof of their vigorous and rapidly growing fanbase in the U.S. Before the release of recent album Wolfgang Amadeus Phoenix, their last sensation, It’s Never Been Like That, created a considerable buzz in America in 2006. After a gap of three years, listeners’ enthusiastic responses to the new album have confirmed that Phoenix’s music possesses a unique quality, a certain je ne sais quoi that we want to keep hearing more of. They’ve found an untouched niche in the rock spectrum that makes their music universally listenable and enjoyable, yet at the same time keeps it from falling into the generic pool of what one might consider mainstream rock.
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ARTICLE BY JONATHAN BUCHANAN
SEPT. 1 | LOS ANGELES—On a smokey, late summer evening, the words “The Duke Spirit” glowed through the haze from the El Rey Theatre’s Spanish Deco marquee and the incandescence didn’t end there. After a canceled show on Sunday in Orange County due to the tour-savaged vocal cords of Miss Liela Moss, the English five-piece limped to the finish line of a tour that has been rolling along for seemingly forever. The band’s last LP Neptune was designed to bring the group to the masses, and although that didn’t quite happen, The Duke Spirit’s live show is a crusade to persuade, and maybe that’s why they’re so damn good at it.
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